OCTOBER

While Summer brings fun in the sun, and carefree days
And Winter is joyous with the blessing of Christmas , and family cheer
And Spring? Well, Spring is like seeing something beautiful and
new for the very first time - brilliant blue sky and budding flowers.
Still,  it’s  Fall that has always been a special time of year to me - the month of
October especially so,  perhaps because it is the month I was born.
 25 October when my world greeted me
with welcome arms and loving heart.
A  feeling of wonder and change permeates the air.
Harvest colors, and a harvest moon;
Red delicious apples and candy corn.
                                                

Three  poems help  describe for me  the aura and atmosphere  of
 the  tenth month of the year

Dylan Thomas' Poem in October, in remembrance of his own birth  month , and this verse:
Here were fond climates and sweet singers suddenly
Come in the morning where I wondered and listened
   To the rain wringing
   Wind blow cold
In the wood faraway under me

October by Robert Frost
O hushed October morning mild,
Thy leaves have ripened to the fall

And this one, October's Bright Blue Weather by American poet and novelist, Helen Hunt Jackson
When on the ground red apples lie
In piles like jewels shining,
And redder still on old stone wall
Are leaves of woodbine twining

Not only Fall, but each  season with its changing landscape,  helps prompt us  to reflect on nature's beauty, and weave it into our own  story of life and love.


***Note: Helen Hunt Jackson  (1831 - 1885) is most famous for Ramona, a novel about a Native American orphan facing discrimination and prejudice. Ralph Waldo Emerson was an admirer of her poetry, and used several of her poems in public readings. To learn more about Jackson visit  http://www.poemhunter.com/helen-hunt-jackson/biography/

Holiday Magazine & Travel Stories

    For those  who regularly read my posts for Writing North Idaho, know I am drawn to nostalgia , and find pleasure in reading novels, stories, essays from  long ago. So, last week while I was with my mother browsing thrift stores in Lewiston for used books, I came across one titled, Ten Years of Holiday that  peeked my interest.

    To my surprise, I learned Holiday was a popular travel magazine published from 1946 to 1977. The magazine, published by Curtis Publishing Company, the same company that published Saturday Evening Post and Ladies Home Journal, would grow to more than  one million subscribers in its hey day. According to some, the reason for the magazines success may be because after World War II, travel overseas became more appealing to Americans, and the editors of  Holiday honed in on their passion to travel. I  believe another  reason may be because of the high quality of writers the magazine enlisted.

  Writers like : Frank O' Connor, Richard Llewellyn, Alistair Cooke, E.B. White,  Arthur Miller, C.S. Forester, Cleveland Amory, Irwin Shaw, James Thurber.

    And one other, Phil Stong , who is most known for his novel State Fair, which was later adapted to the famed Rogers and Hart musical of the same name. In the 1952 December issue of Holiday, Stong wrote Christmas in Iowa. That was the first story I read in the Holiday anthology. I think because Iowa is the birthplace of my family, and I have so many happy memories of living there myself at a very young age. What struck me in Stong's story is it wasn't about travel on foreign shore, but right here in America. He not only wrote  of his  hometown Keosauqua, Iowa as it was then, after he had lived away twenty years,  but as it was when he knew it best, during his childhood years, and the memory it invoked.

    It made me think of how travel writing doesn't always have to be about far away and distant places, but  towns close  and dear, the local cities we grew up in, and helped shaped  the people we were, and would become. I thought of my own home town of Bell, California. In the 1950's and 60's a small bedroom community in southeast Los Angeles, where folks were familiar with one another and felt safe in their neighborhood of modestly built homes.  Teenage boys pumped gas, checked oil, and cleaned auto windows at the Shell station on the corner of Gage and Wilcox. Other young fellows  would box groceries  at  Arvo's Market on the opposite corner, where I mostly remember buying an oversized grape  sucker for a nickel, then would go back to  the park to play tether ball with my friend Linda.  Parents weren't afraid for their kids to play outside. In Bell, we'd go  out early morning  to ride our bikes, roller skate, play Hide n Seek and Make Believe  and wouldn't return  home until late afternoon -  sometimes after    watching a Saturday matinee at the Alcazar Theater or swimming at the pool. I remember it as a happy time, the  best time. When life was good.

   I have lived away from Bell for many years now,  and only recently returned. It is not the same as I knew it then.  The Alcazar is gone, so is Arvo's Market. and Jim's Hairhouse, where so many I knew  used to get their haircut. Don's Hamburger's - 5 for a Dollar-   on the corner of Heliotrope and Randolph  is now a taco stand. But the library and the high school still stand, and my early place of worship, with its Spanish inspired architecture, St. Rose of Lima Church.

    Although I have travelled abroad, and throughout the United States, I've never seriously considered writing about my travels. But after reading some of the essays in Ten Years of Holiday, I may give it a try-  to write about places I've visited, especially those I know best - the cities where I lived.

    As writers, I suggest we all have 'travel' stories we can share. Whether past or present.

   For more information and history  about Holiday Magazine,  check out this well researched  and informative article in  Vanity Fair Magazine http://www.vanityfair.com/culture/2013/05/holiday-magazine-history

  

   

     
    
  

  



  

    

Query Letters to Editors of Nonfiction Books for Children

JENNIFER ROVA

The nonfiction children's market is one of the easier markets to crack because editors of magazines and books are searching for good writers of children's NF genre versus the over crowded children's fiction genre. There is a scarcity of nonfiction children's books while more emphasis is being put on nonfiction reading by educators and parents. Teenagers, especially boys, have a disturbing dearth of appealing NF books. There are a very few NF magazine articles or magazines dedicated to educational NF topics other than dating, makeup or prom dresses. There is also a high interest in "low vocabulary," beginning readers materials in the nonfiction category. "Low vocabulary" is another term for books with lots of pictures that explain a nonfiction idea to preschool or emerging readers. Editors can pair you with an illustrator but it is much better if you can illustrate your own words via drawings or camera shots. It is one less person with whom they have to deal.  Being able to draw or provide camera photos of your writing also gives your more validity which makes it easier to sell your ideas.

Books or articles discussing ethnic diversity, trending activities (dirt biking, snow boarding, soccer, and photography), biographies and science are in special demand. If you can take a nonfiction topic in a new direction, provide a different twist on teaching an idea or use humor to challenge learning, you will have winners. Children like quirky facts about things and respond well to this type of learning.

Publishers want to know if you can write to a targeted age audience, if you can stay in the required word count and if you can make the information engaging and fun. Redundancy, wordiness, inaccuracies, and insufficient or outdated facts are verboten. You must include all information to document the facts and books used in your research in a bibliography included in your book. Go to www.easybib.com to learn the correct bibliographic format for this. Do not use a creative nonfiction format to tell the information, e.g., "Brian Bear's Tips for Fire Safety," or  "Buzy Brianna Bee's Path to Her Hive." Follow submission guidelines precisely; each publishers has its own guidelines and they vary from house to house. Many houses publish books in a series ("How this Works..." or "Science Explained"). There are several web sites that show vocabulary words that are appropriate for specific age groups. Study those and use your thesaurus to find exactly the right words to help  a specific age group learn about your topic of interest.
                                     
In your one page query letter, state the title of your article or book and for what ages you wrote it. Give a two to three sentence synopsis. Summarize your approach and why you are qualified to write for them. If applicable, site figures showing the lack of resources on this subject. If you have not written nonfiction, start writing now and get published even if it is adult nonfiction. State you will send writing samples if desired. If you have not written for children, write a sample story following the publisher's guidelines and send it if asked. Give a short bio of your writing experiences, prizes won, blog site(s), and books and articles published. Thank them for their time and include your name, phone numbers, email address and post office addresses. If you used humor in the book or article, try to include humor in the query letter. Never call an editor to give a pitch. Attend conferences mentioned in the Oct. 9, 2013 post or others nearby.

Nonfiction for children of all ages is an increasingly in-demand field of writing. If you have an interest in nonfiction and think you have skills necessary to write appropriately on a subject that appeals to children, try it out and see what happens. This is a niche waiting to be filled.

Children's Nonfiction--Lucrative and Fun Writing

Jennifer Rova

Wouldn’t it be fun to be responsible for the smile on this boy's face? Editors are clamoring for authors who can write nonfiction books and magazines articles for children of all ages.  Fifty percent of elementary and seventy percent of high school reading will be nonfiction according to Common Core State Standards.* School and public libraries shelves are sparsely furnished with up-to-date nonfiction books. You can help fill the gap.

There are numerous reasons to write children's NF:
---topic choices are unlimited with biographies a constant need. What are you interested in? Probably some children are interested in that same subject and would benefit from reading your book on the topic.
---the field is not crowded thus your chances of being paid are higher.
---teachers are looking for good NF books to use in the classroom.
---you can research and write on one topic but gear and market it differently for different age groups.
---you have a hand in interpreting the world for young readers and sparking ideas for further interests    and jobs through your books.
---you are helping to raise a smarter generation.
---it is fun to share you knowledge or for you to learn something new, share it and get paid.
---parents are looking for books and magazines to teach their children.
---you are fostering life-long literacy skills.
---early readers and emerging readers need to read NF as well as fiction.

Numerous sources are available to scout out what is current and what subjects needs expanding.
1. Visit school and public libraries and book stores. Read NF books. Doing so gives you invaluable information on how to write for different ages, the vocabulary used and what topics are absent.

2. Ask your children, grandchildren or neighbors' kids what they would like to learn.

3. Go to amazon.com, click on books, advanced search, specify readers' age and specify publication dates, e.g., 2008-2012 to see what has been written and look for missing topics.

4. Query librarians on what topics are most often asked for and for which there are no books.

5. Read children’s magazines to see what hot topics have articles. Are there any books to match these topics? (See list of children's magazines below.)

6. Buy A to Zoo a reference book that lists picture books by subject title and author and Children’s Writer's and Illustrator's Market book by Writer's Digest. The latter lists most of the publishing houses that produce children's books and magazines.

7. Attend one of these conference
*** Second Annual 21st Century Children's Nonfiction Conference, June 20-22, 2014 in New Platz, NY on SUNY campus. http://childrensnonfictionconference.com
 ***Broward, Florida 27th annual Conference on Children's Literature in April  2014 www.broward.org
***22nd Annual Hubbs Children's Literature Conference, Feb. 22, 2014 at the Keffer Library on the Minneapolis, MN campus of University of St. Thomas. http//libguides.stthomas.edu/Hubbs 2014

7. Look for and attend a state library association's annual convention to smooze with librarians and book publishers. Companies often have lots of free, helpful information.

Go here http://www.world-newspapers.com/children.html for an annotated list of children's magazines.

*Mission state for Common Core Standards organization
"The Common Core State Standards provide a consistent, clear understanding of what students are expected to learn, so teachers and parents know what they need to do to help them. The standards are designed to be robust and relevant to the real world, reflecting the knowledge and skills that our young people need for success in college and careers. With American students fully prepared for the future, our communities will be best positioned to compete successfully in the global economy."
www.corestandards.org

Look for Friday's post, October 11, 2013 for some pointers on writing children's 
nonfiction literature and how to query editors who publish nonfiction
 children’s literature.

Different Venues to Being Labeled A Writer

Jennifer Rova
Does the title mean you have to write a New York Times "Top Ten Fiction" books in order to be or think of yourself as a WRITER? Does this mean that you have your name above the title in your mystery book? There are  twenty categories of writing that will define you as a writer.

      

 Pinterest.com "Writing" Original source unknown.

 Play writing---the writing is challenging but more so finding someone to produce your play is harder. A limited number of plays are produced each year and you have to have connections or be at the door when opportunity knocks.

      Poetry---a difficult way to earn a living. There just isn’t interest in today’s world to support poetry. Competitions are numerous however.

      Resume---not a strong wage earner but combined with other types of writing, it has its niche.

      Magazine articles---a popular form of writing. You may write for women’s magazines like Good Housekeeping and Family Circle, men’s magazines like Esquire and Men's Health or specialty magazines such as Iowa Farm Wife that hire outsiders to write for them on a per story basis. Some of the racier magazines pay up to $1.00/word. The lead-time is up to a year ahead.

      Screenwriters---writing screenplays for TV or movies. Movies pay a lot especially if the movie is a success and you have negotiated your contract well, as can writing for a hit TV series.

      Nonfiction---this category contains many subgenres. The stories must be true and accurate. They can be biographical books or articles, stories about any subject for any variety of audiences such as horse riding, sheep tending, sewing, camping, fitness, biographies, etc.

Academic---academicians must “publish” which is doing research, writing about it and finding the appropriate venue for publication. Other academic writing is for the bragging rights of having an article you wrote published in some credible magazine or online but there is often no pay. The pay for the former is that you are allowed to keep your job!
 Speechwriters---these jobs are mostly in the political arena but also may be part of another job like being the VP of a large company where you are asked to write the presentation/speech for your boss. 
Greeting cards---these jobs pay adequately and can be steady employment if you work for a company like Hallmark. These businesses often use freelance writers when they want new materials.
Columnists--- a work-your-way up profession. Writers usually have undergraduate college degrees in journalism or political science and start writing anything for small newspapers. Given time, opportunities and good work, you may be offered a job at a bigger newspaper until you have a reputation for something----adroitness, insight, sharp analytical abilities or a certain savvy or humor in an area.  A steady column may be offered for writing regularly in a newspaper or magazine. This can lead to full books outside of the newspaper job. Fareed Zakaria writes for TIME magazine while Ann Landers and her sister wrote advice columns for newspapers.
Journalists are similar to columnists. Most have college degrees. Some are all-category writers while others specialize in business, coverage of war or near-war situations, local stories, and politics. Some may write a series of articles following an ongoing event or through sleuthing, uncover a scandal or expose fraud.
Copywriters are among the best-paid writers. They are the people who write ads like “Folgers coffee. Mmm, mmm, good” and “Bounty the quicker picker upper.” There are other aspects to copy writing and it pays well, again up to $1/word. It can be freelance or on-staff positions in ad agencies. The ability to sell anything, window cleaner, a fantasy story, a pair of skies or a political mystery all use the talents of the copywriter to market the product.
 Songwriters---most people do not think of writing songs as a writing profession. It is combined with the ability to also write music or collaborate with someone who writes the music and you write the words like Rogers and Hammerstein.

Ghost writers---a decent paying freelance job with little or no glory. A famous person will “write” her memoirs but you do the actual writing based on interviews with the person. You may get your name mentioned or not. “My Life” by Sandra Bullock with Jane Doe”, Jane being the ghostwriter, or “Elizabeth Smart: My Story” without  your name. (Both are fictitious books made for this blog example.)
Game writers---if you are into computer games, you know the market for video game stories is huge. This writer works with a team of artists and computer specialists to make a video game that appeals to a certain age group. If you write a successful one, it can be part of a series. You can always moonlight as a fantasy or Goth writer in the evenings.   
Grant writers---freelance or work on staff for a not for profit organization that needs funding. You write or petition a targeted foundation, company or business for money for a specific project through a “grant proposal.” This type of writing takes the understanding of how a not for profit organization functions, what its needs are, the details and goal of the project for which the organization is seeking funding. Writers take a percentage of the grant money when it is given (and nothing if the NFP does not win the grant money), or gets a straight fee or is part of a full time job with the agency.
 Fiction---children’s books, ‘tweens, and adults, plus many genres like mystery, romance, fantasy, sci-fi, crime, or learning for children among others. This field is wide open and well known. It can lucrative and is always hard work both writing and marketing your work.   
Online---this can be writing a web site for a business, your own blog or writing for an e-zine. Some businesses pay you to write about their horse stables or golf course while with your own blog, you write for something other than money unless companies pay to advertise on your site.
 Sermons---a specialized niche for a specific profession. It takes insight, knowledge of religion, and determining the right angle for his/her congregational demographics.
  Newsletters---this can earn you a profit after a lot of hard work and time building an clientele. Some businesses hire freelancers to writer a monthly newsletter for its clients or staff. If you freelance, you will need to build up a series of clients in order to earn a living at this type of writing.

Then there is travel writing, cartoons, letters, toasts, short stories, long stories...You can write. Sit down, get busy and good luck!

Sherman Alexie and Indies First

Prolific author Sherman Alexie will speak at the Spokane's Bing Crosby Theater on October 9 at 7:00 p.m. (doors open at 6:45). His books include Blasphemy: New and Selected Stories, The Absolutely True Diary of a Part-Time Indian,  The Lone Ranger and Tonto Fistfight in Heaven, and many others. No ticket is required, but a $5 donation is being requested at the door to help pay for the venue. This is an Auntie's/Get Lit! co-production.

Did you know that Alexie is also a staunch supporter of independent bookstores? He's helping to promote the Indies First movement, which is the engine behind a bookseller-for-a-day program on November 30 (the Saturday after Thanksgiving, a.k.a. Small Business Saturday). Here's a letter from Alexie encouraging book-lovers to participate. For more information on how you can get involved in Indies First, click here.

SHERMAN ALEXIE

September 1, 2013

Hello, hello, you gorgeous book nerds,
Now is the time to be a superhero for independent bookstores. I want all of us (you and you and especially you) to spend an amazing day hand-selling books at your local independent bookstore on Small Business Saturday (that's the Saturday after Thanksgiving, November 30 this year, so you know it's a huge weekend for everyone who, you know, wants to make a living).
Here's the plan: We book nerds will become booksellers. We will make recommendations. We will practice nepotism and urge readers to buy multiple copies of our friends' books. Maybe you'll sign and sell books of your own in the process. I think the collective results could be mind-boggling (maybe even world-changing).
I was a bookseller-for-a-day at Seattle's Queen Anne Book Company when it reopened this past April. Janis Segress, one of the new co-owners, came up with this brilliant idea. What could be better than spending a day hanging out in your favorite hometown indie, hand- selling books you love to people who will love them too and signing a stack of your own? Why not give it a try? Let’s call it Indies First.
Grassroots is my favorite kind of movement, and anyway there’s not a lot of work involved in this one. Just pick a bookstore, talk to the owner (or answer the phone when they call you) and reach an agreement about how to spend your time that day. You’d also need to agree to place that store’s buy button in a prominent place on your website, above the Amazon button if you have one. After all, this is Indies First, not Indies Only, and it’s designed to include Indies in our world but not to exclude anyone else.
This is a great way to fight for independents—one that will actually help them. It’ll help you as well; the Indies I’ve talked to have told me that last year Small Business Saturday was one of their biggest days of the year, in some cases the biggest after the Saturday before Christmas—and that means your books will get a huge boost, wherever you choose to be.
The most important thing is that we’ll all be helping Independent bookstores, and God knows they’ve helped us over the years. So join the Indie First Movement and help your favorite independent bookstore. Help all indie bookstores. Reach out to them and join the movement. Indies First!
Yours in Independence,
Sherman Alexie, An Absolutely True Part-Time Indie

5 Things I Like about the Inklings

My recent journey through The Inklings of Oxford made me think about the role of literary friendships in my own life.

The Inklings were a group of academics associated with the university at Oxford, England. From the early 1930s to 1949 they met together on Thursday evenings in C. S. Lewis's rooms at Magdalen College, where they'd read and discuss their works in progress. Some of the members were also in the habit of gathering on Tuesday afternoons at the "Eagle and Child" and other pubs in and around Oxford. From what I understand, the pub meetings were even more informal than the Thursday meetings, meant for fellowship and camaraderie, not the reading of manuscripts. Products of their time, all of the Inklings were male (although Dorothy Sayers was closely associated with them, she never attended meetings), and several of them--but not all--were Christian.

Warren Lewis (C. S.'s brother and one of the group) wrote, "Properly speaking, [the Inklings] was neither a club nor a literary society, though it partook of the nature of both. There were no rules, officers, agendas, or formal elections.”

Of course this is pure conjecture, but when I imagine a gathering of the Inklings, I picture a warm room, perhaps with a cozy fire, the persistent English rain beating against leaded-glass windows, and the pungent scent of pipe tobacco. A number of off-duty professor types lounge about on shabby-genteel sofas and chairs. Several of them hold manuscript pages, and the conversation ebbs and flows: now reading aloud, now commenting, now questioning or offering a word of encouragement in plummy British accents. Doubtless there were some heated arguments as well, which--this being my daydream--I'll overlook for now.

In short, the scene looks not all that different from reading and critique groups I've known and loved--minus the leaded glass and pipe tobacco and plummy accents.

From the perspective of a critique group member, here's what I appreciate most about the Inklings:

*They met regularly. I'm sure that not every member made it to every meeting, and the group that met at the pub overlapped, but was not identical to, the Thursday evening group. Nonetheless the group had a certain consistency and commitment, which fosters familiarity and trust. If you're going to open up your writing to critique, it's good to be acquainted with your critics and know something about their individual backgrounds, writing expertise, personalities, and quirks.

*They were focused. The Inklings gathered to discuss their own and each others' writing as well as other literary and publishing concerns. They were busy academics, choosing to commit their Thursday evenings discussing literature. Their discussions didn't wander all over the place--or if they did, someone would steer the conversation back on course. They made good use of their time.

*They had fun. The fact that the members enjoyed spending time in each others' company apart from the weekly critique meeting shows that they took themselves seriously, but not too seriously. They were a compatible bunch.

*They were flexible. In addition to a core group, there were other Inklings that came and went as employment and other circumstances changed. While there were limitations as to who could be an Inkling, membership wasn't unnecessarily rigid. They also did not gum up the works with a lot of rules and procedures.

*They were encouraging. Beneath its polished exterior, university life can be a rough-and-tumble world filled with competitiveness, backbiting, and petty jealousies. I imagine the Inklings' meetings were a pleasant respite from the workaday world, as well as a kind of laboratory for producing their very best work. Who knows what beloved literature might never have seen the light of day--or might have appeared in some very different form--were it not for the influence of the Inklings?

Your turn: Do you participate in an Inklings-like critique group or book group? If so, tell us about it!