My first journal, begun in the summer between the fifth and sixth grade,
sits on my desk as a reminder of my love of writing. I loved that
little blue plastic book with its tiny lock. To record my private thoughts, with
no worries about uninvited readers, seemed like total bliss at the time. However, as I apparently come from a long line of
hackers, it took the spies in my midst all of two seconds to pry
their way into my deepest secrets, only to repeat them for general
entertainment at the dinner table. Nevertheless, I plodded on,
writing diaries and journals through most of my life. I can be
sporadic, missing a year or two here and there, but I am happy to say
that I can at least fill a modest bookshelf with my efforts. Lest you think they
would make for interesting reading, a record of my time as a teen,
then a young wife and a mother, followed by the trials of middle age,
I can only attest to the fact that, they are nothing short of pure drivel.
How did this happen? I tended to use my diaries and journals as a
place in which to beef. The stings and arrows of life that tended to swirl
around in my mind, distracting me from my goals, were a nuisance, and
so I found a way to expunge them. I have had to make it very clear to
my husband and children that they are for my eyes only and in no way
a record of my happy, family life. My complaints, when read
in bulk, are totally depressing to me now. Why did I not record the
cute things the kids said, my thoughts about life, my dreams or my aspirations?
I can only confess that they record an inner relationship I have with
myself where I like to process things slowly.
In the past, I have
thoroughly enjoyed well-written journals and have spent weeks and
even months reading volume after volume. The top three on the hit
parade are as follows: Virginia Woolf, Noel Coward, and Lucy Maud Montgomery. Virginia Woolf, like me,
set down many frustrations. The unwanted criticisms, the
interruptions from writing, and the stings of patronizing male
reviewers are all preserved for prosperity. My admiration for her as
a writer could never be overstated. Her brilliant work, A Room of One's Own, tells us flat out, what we, as women, will have to carve out for ourselves if we are to have any chance at all. To know that anyone would disturb
her clear and acknowledged genius, over a question regarding lunch,
made me want to chase her housekeeper around the yard brandishing a
rolling pin. Her ups and downs, pain and sorrow, small moments of
triumph, gave me a clear picture of the path, the road and the way a
writer must take. Her bouts of depression and sad end did not deter me either, as it was clear from the start that she suffered from a malady that had no cure in her day. Describing her struggles, in the light of her illness, afforded an even greater level of inspiration. Her courage astounded me.
By contrast, Noel
Coward had a much more exciting life of glamor and parties in London,
but he had his endless frustrations as well. In reading his journals,
I found much to delight in. The obstacles in his
life had a similar ring and can be summarized in one word:
interference. Again, I was shocked that anyone would dare think they
had a better way to say a line or to put on a play than he did. I
wanted to shoo them out the backstage door. I also loved his take on
critics which would be summarized by, “Insulting review in The Times.” I gained an understanding that opinions that some people
seem to value, are often nothing short of hostility, for whatever
reason, and the greatest minds in our midst, those who crafted works
of pure genius, seem to have a great ability to not listen to any negativity of any kind.
The third and best
grouping I did not read until a few years ago, and when I did, I
became so involved in them, it changed the way I go about my daily life. For some strange reason, I read the journals of Lucy Maud
Montgomery, in reverse order. I understood her life from her last
days to those preceding The Great War and predating the creation of
her most famous work, namely, Anne of Green Gables. It gives me chills to this day to think of her
sitting at the kitchen table, in a simple farmhouse on Prince Edward
Island, warmed by the fire in the cook stove, with pencil and
notebook in front of her, and no idea of the future ahead, in the process of composing the greatest selling book of all time. Her novel was rejected, and stuffed in a hat box,
shelved in a closet, and all but forgotten until a spring cleaning
project had her take a second look. Astonished to rediscover it with the understanding that it was quite good, she vowed to try again, and the rest is history.
In many phases of
my life, I have turned to reading journals when I am stuck and
casting about for ideas. This often leads me back to keeping a
journal once again. As I scribble away, getting things off my chest
and out of the way, sometimes new ideas begin to take hold. When we
see a published group of diaries, we are looking at entries that
have been recopied and reworked. Some editing and piecing together form the finished look, and no doubt a lot of what is mundane and downright petty is discarded.
From the Selected Journals of Lucy Maud Montgomery
The first entry:
1890
Monday, Jan. 20
"Mollie and I have made a decidedly startling discovery about some of our little personal affairs. I am not going to write it down because it is a dead secret. We have refused to tell Nate what it is but we have hinted just enough to fire his curiosity to the blazing point."
From the Selected Journals of Lucy Maud Montgomery
The first entry:
1890
Monday, Jan. 20
"Mollie and I have made a decidedly startling discovery about some of our little personal affairs. I am not going to write it down because it is a dead secret. We have refused to tell Nate what it is but we have hinted just enough to fire his curiosity to the blazing point."
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